American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

•December 12, 2010 • 3 Comments

Author B Billy Mars – Professional Geologist

Writer of the H2onE2 and H3onE3 works

American Holocaust video, 1 of 5 total videos in the series

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsNotice the Skull and Bone’s  Symbol in the Train

Lily Furedi: Subway, 1934 Smithsonian American Art Museum Transfer from the U.S. Department of the Interior, National Park Service 1965.18.43

Lily’s painting “Subway, 1934” was my first recognition to the possibility that a wide spread “Nazi like” American Holocaust took place during the Dust Bowl era.  In the painting the Skull and Bones symbol is clearly the only source of visible, reflecting light emanating throughout the train car. The Skull and Bones symbol is the source of the light in the painting but it is not light at all, but darkness and fear. The skull light is also sent down on the working class population, from the gods, the ruling elite. Now, notice all the characters are looking away from the evil light, propagating from the Skull and Bones lamp. Lily’s Subway might be the second greatest piece of the work from the American Holocaust Artist Revolt. the painting clearly explains why the government and why the Roosevelt administration attempted to control the art movement by enacting congressional policy and over site agencies like the Works Progress Administration (WPA) to apply censor.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

The Skull and Bone symbol is a common Freemason symbol, brought into the Greek Fraternity system when the Robber Baron industrialists, began creating and sponsoring college fraternities. The Skull and Bones symbol has three meanings, three different meanings, and these meanings are expressed in the Greek alphabet as (XXX) which translates into Chi Chi Chi; the first documented Greek University fraternity. One X is intended to reference the church and crucifixion, one for the Red Cross organization or similar organizations and one X to describe the train tracks or its crossing basically the ruling elite Railroad Barons from the period.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsWorkers on the Cathedral of Learning painting showing the three XXX

Richard Carnegie, a relative of a railroad baron, Henry Huntington, an iron magnate, Andrew Carnegie and Richard Barton, a relative of Clara Barton founder of the Red Cross created the first college fraternity called XXX or Chi Chi Chi on June 9, 1901. Many university fraternities followed with the sole purpose of creating a de-humanized work force, very similar to how the military boot camp trains its soldiers. Corporations have the disposition of a Freddy Krueger, or a mass murderer and require a psychologically trained work force willing to kill, rape children and pull off the American Holocaust. An example of the training or boot camp was recently released on youtube, and it involved, just like the military, an exercise and a military marching or cadence song. The words to the Greek Fraternity song were a little different and went like this; “NO means YES, yes means ASS.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsThe X Symbol in the early Roman Church

President Franklin D. Roosevelt made several attempts prior to the Federal Art Project to censor and approve art through a central government agency before an art piece became affixed to public or government building. These programs were an attempt to censor the revolting art community that was actively outsmarting the local political controllers by applying hidden meanings, symbols to document the American Dust bowl Holocaust.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

From 1933 to 1934 the Public Works of Art Project agency did such a poor job at filtering out Holocaust themes and symbols, the Wall Street Robber Baron Bankers, the elite which have always been entrenched in the Treasury Department took over the censorship program in 1934. The department of Treasury approving art just sounded fishy, so the Federal Art Project (FAP) was finally created in August 1935 with a well trained staff. This was the final Works Progress Administration (WPA) for the revolting New Deal artists. The WPA managed and approved art for 5,000 artists who produced some 225,000 pieces of works. By, 1935 the government had full control over the art community and understood the coding in the images, produced by the revolting artist, who were documenting the American Holocaust.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

An overall example of artist universally revolting in an organized fashion comes from examining images of trains. The one commonality in all the train images is nearly all train were painted to turn to their right. Here the artist is telling future people, that’s us, to this point, the date on the painting, the American Death Trains continue “right” on rolling out west.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsAmerican Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

The greatest American Holocaust revolt painter of the time is, by far the Great Frank Mechau who produced the controversial “Dangers of the Mail” installed in the 1930s at the U.S. Postal Service headquarters, now the EPA headquarters in Washington DC.  The artist community went after the postal service because on each train at the time period was an armed postal car, with multiple armed federal postal police who failed to protect the public from the American Death Trains.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsWPA art of Queen Elizabeth II, notice the Freemason drafters Compass, mans right hand

Most of the WPA art has been, stolen, removed or destroyed by the top upper class, the 1% of society, Doctors, Lawyers, Judges, bureaucrats, Freemasons, Greek Fraternity members, ext. because it hides the hidden record of the American Holocaust and the revolting artists. Now, I do not have the means or resources to perform a full investigation and small digital images of WPA art online are not large enough to find all the hidden details, most of these paintings were giant murals. I am also having a hard time determining who, where and what; the bones of the WPA art have been intentionally scattered about to hide the mass grave.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsOne of Frank Mechau’s “Dangers of the Mail” paintings, there are more but I can’t find them

Frank Mechau’s “Dangers of the Mail” paintings are the greatest collection of American art but it includes several murals, possible drawn in several different places. And, I believe there are paintings on multiple floors of the old post office building.  The greatest piece in the “Dangers of the Mail” series is called the Buttocks Indians painting, but I have no idea where it was painted or is currently housed. I am not even sure if it is included in the large murals at the EPA building. Nor, do I have the means as a starving writer to visit or gain access to these paintings. My research stops here at the end of the railway line.

The “Dangers of the Mail,” series by Frank A. Mechau, has been controversial from the start because it displays nude women being attacked by Indians. Although, I can safely say the Indians in the paintings were not intended by Mechau to be Indians at all. In fact, all the Indians in the “Dangers of the Mail,” series of works represent the embodiment of the brutal men who executed the American Holocaust in the 1930’s. I will describe the painting soon enough, but these paintings today in modern times are still causing controversy. The ruling elite cannot figure out how to remove these painting from public view. Although, the EPA building is now not accessible to the public following the 911 events, so these paintings are currently off limits. Well, I guess the elite did finally figure out a way to remove them from a public re-interpretation.

The “Dangers of the Mail,” paintings attracted the attention of former EPA administrator Carol Browner, who served during the Clinton administration. In 2000, she ordered the murals to be covered, saying they were offensive to American Indians and women. But, the covering was removed at the start of the Bush administration and some of the murals were sent out for restoration by the GSA. The Bush officials later placed an American Indian tribute display in front of the two large murals, hiding them.

The “Buttocks Indian” painting was the work designed to tell future people, that is us who was the strong arm of the American Holocaust. Frank A. Mechau made this “Buttocks Indian” painting with the full intent that future people, that is us, hunt down and publicly, dreadfully prosecuted this secret organization.  Frank A. Mechau in the Buttock’s painting conjured the spirits of the Last Judgment, Final Judgment, Day of Judgment, Tribulation from Matthew 24:21, for us, future people to Rapture the Freemasons and all the connected secret fraternal/fraternity organizations. The Buttock’s Indian painting is just that powerful. His dark hatred for this group is that immense and each brush stroke appears to be a knife cutting, like a demon at the flesh, at the throat of these organizations.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsBefore I personally describe the details in the Buttock’s painting let’s for fun, build a little drama by having a society insider describe the work first and foremost. I found a description of the work done by Dr. Karal Ann Marling who received her doctorate from Bryn Mawr woman college in History of Art and American History and is a member of the Minnesota Historical Society. Being an expert and having a PhD, we will have to let the little lady go first, this is her description of the painting:

“Indians taking special delight in scalping two naked women crawling on their hands and knees across the foreground of the scene…while a third woman, also nude, was being strangled with exquisite deliberation by no fewer than two savages.”

Now, what I believe Frank A. Mechau pulled off in the “Dangers of the Mail,” was simply incredible and shows how stupid the government controllers really are and why the WPA central censorship program was implemented. Basically, LMAO, he illustrated the “10 Little Injuns”, song written by Septimus Winner in 1868 with the sole intention of destroying all Freemason secret societies and University fraternities, the strong arm of the American Holocaust.

Later, the song was simplified into the “Ten Little Indians” children’s rhyme but the original song has roots in many following songs. Freddy Krueger’s song is maybe the most disturbing or to some pleasing variation of the original “10 Little Injuns” song. Here are the lines to Freddy Krueger’s song:

1, 2, Freddy’s Coming for You!

3, 4, Better Lock Your Door!

5, 6, Grab Your Crucifix!

7,8, Better Stay Up Late!

Nine, Ten, Never, Sleep Again!

Freddy KruegerTake note of the V symbol that Freddy is making, we will find it again, soon enough, its origins

The counting and importance to ending at the number ten is the marker that undoubtedly makes the Krueger song a modification of Winner’s “10 Little Injuns” song. Most importantly the Krueger song is pointing to murder, a massacre, a massive holocaust. Frank A. Mechau “Dangers of the Mail” paintings are the original defining source to this genesis or inception.

Here are the lines of the original “10 Little Injuns” song:

Ten little Injuns standin’ in a line,

One toddled home and then there were nine;

Nine little Injuns swingin’ on a gate,

One tumbled off and then there were eight.

One little, two little, three little, four little, five little Injun boys,

Six little, seven little, eight little, nine little, ten little Injun boys.

Eight little Injuns gayest under heav’n.

One went to sleep and then there were seven;

Seven little Injuns cuttin’ up their tricks,

One broke his neck and then there were six.

Six little Injuns all alive,

One kicked the bucket and then there were five;

Five little Injuns on a cellar door,

One tumbled in and then there were four.

Four little Injuns up on a spree,

One got fuddled and then there were three;

Three little Injuns out on a canoe,

One tumbled overboard and then there were two.

Two little Injuns foolin’ with a gun,

One shot t’other and then there was one;

One little Injun livin’ all alone,

He got married and then there were none.

If  Frank A. Mechau paintings the “Dangers of the Mail,” series was designed to assimilate the theme of the  “10 Little Injuns” song as a coded key, than in the line “One got fuddled and then there were three” becomes the most significantly important line. In order to determine what the  line means we need to get a definition to the word Fuddle.

fud·dle  means:

1. To put into a state of confusion; befuddle. A state of confusion or intoxication.

2. To make drunk; intoxicate.

3. To drink; tipple.

I believe Frank A. Mechau in the “Dangers of the Mail,” series is telling future people to look at the painting with three Indians and this is the “Buttock” Indian painting. Why, because 3 Indians are expressed in the line and word fuddle means triple shot referring to the number 3 again.  So, Frank is saying the “3 and triple” points to the “33” degrees of Freemason’s. The 33 degrees is the highest level of the elite secret organization that both Roosevelt and I believe Hoover were ranked in this faction. You would be a rich man if you could place bets that every president, from Washington to Obama was a 33 degree Freemason.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Now, I am unable to access all the paintings in the “Dangers of the Mail,” series in the EPA building or find all their digital images online to completely connect the “10 Little Injuns” song as Frank’s underlining motive. Calling the EPA and asking to view the images is the best way to be followed home, arrested and beat up, maybe left for dead. We live in a primitive, very dangerous controlled society who’s leaders continue to hide a Holocaust that I believe well exceeded 7.5 million and what the Nazi’s did to the Jews during WWII. It is estimated that 70% of local police are Freemasons and the number goes way up to 90% within the rank and file of the state police. This group will protect its brotherhood and interests with their lives, at the cost of yours. They are also not just entrenched on the law side but have controlling influence over most large street gangs, drug cartels, and definitely all hate groups like the KKK or Neo-Nazi national organizations aka the T-party.

Without even seeing the complete works or all the paintings, I could use my gift of psychic powers and safely say the paintings include a swinging Indian, from the line “Nine little Injuns swingin’ on a gate”? Another painting should have three Indians in a canoe from the line “Three little Injuns out on a canoe”, or at least a canoe of some great central importance to a picture? Maybe one of the paintings from the “Dangers of the Mail,” has a total of, ok let say, like maybe 10 Indians; would that be a good guess? This being a bet I will not lose.

Regardless, the works at the EPA building are intended to direct an investigator “that would be me, you or us” to the painting that has three Indians, the “Buttock’s” painting. Here we can pass go, still not collect 200 dollars, role the magic dice and move our Monopoly game piece, the boot, to land on “Buttock’s” painting; the one with three little Indians. You can locate the “Buttock’s” painting online but I am not sure the digital image captured the entire work, there might be missing items. Unlike, Dr. Karal Ann Marling of the Minnesota Historical Society who is willing to hide an American Holocaust, I will divulge the real meaning and describe the dark, horrific, Freddy Krueger symbolism.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsThe painting consists of three Indians, a beatify white woman reaching into the center of the work in an attempt to shield a man or woman who has fallen and is being actively beaten like a DRUM. It appears that the fallen individual was painted to look as both a man laying on his back and, or a female lying on her stomach. This is because the man’s chest looks too rather like a female’s, typical heart shaped bottom, or butt. Now, it is rather simple to connect each buttocks of this represented female bottom to be referencing a DRUM.  So far, we have uncovered in the painting two Indians that are represented as two drummers.  If we uncovered two drummers beating two drums, we need only to find the quintessential flute player or fifer.

The fifer will determine that the Great late Frank A. Mechau just turned the iconic Old Fife and Drum Corps of the US army, from the Spirit of America image into the demons, the beasts that produced a Holocaust to the American people during the Dustbowl. At this point I would like to take a moment and say, “Frank is the Greatest American artist ever”, and he managed to trick the largest, apparently most stupid secret organization who controls every aspect of society, with a child’s rhyme; “way to go”. In fact, I feel honored to describe the rest of the symbology.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsNotice the arm struggling to reach into the image

The important third Indian playing the flute is hiding behind the naked butted Indian. Finally illuminating, the complete Old Fife and Drum Corps of the US army can be uncovered. Well, how do I know for sure that this flute player Indian is not representing an American Indian? There are two reasons first off, Indian’s don’t play sideways flutes or fifes. Sideways flutes are an instrument of modernization and only used by advancing cultures, such as the Europeans, the white men, during this period. Indian flutes are a modification of a smoking or peace pipe and tradition would not produce a modification in a simple, nomadic culture absent of things like, well the wheel.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsSecondly, the Indian playing the flute is making an upside down pyramid or V with his left hand’s, pinky and ring finger. Optically Frank A. Mechau  placed the Indian’s left eye in the center of this created V. The pyramid and eye that the Indian is making, obviously references the Freemason Pyramid and Eye symbol. This concludes that these three Indians are not Indians at all, but Freemasons dressed as Indians. The artist Frank Mechau’s is telling us, future man/woman, to burn these nasty demons in their own hell. He is almost begging the public to wake up, find and prosecute this guilty party, or the market will crash again and the American Death Trains will once more ride out into the darkness.

The two Indians standing and drumming the nude female are together reflecting the brotherhood commonly associated with Freemason membership. When the third Indian, the flute player, the one behind the buttock’s Indian is suggesting an act of falatio. Frank A. Mechau is saying here that the act of homosexual falatio binds the group into this brotherhood and is clearly a Freemason ritual of initiation.

Freemasons homosexual falatio, as an initiation ritual, binds the brotherhood and de-masticates their foot soldiers, creating a stronger bond and unwillingness to leave the tribe or military unit. Most of the ancient Greek armies encouraged a homosexual bond in the fighting unit, because these two bonded soldiers will fight to the death for their partner or lover, it is like a secret bond. The Freemasons adopted this practice along with Greek fraternities, to bind and strengthen their group. This is possibly a Christian religious ritual that the priests would perform prior to entering their brotherhood and the Crusaders practiced from the 12 century on.

The Freemason’s are basically an occupying military force, that hires its self out to the ruling elite, as a strong arm to control, robe and kill the population. The more Jews, Germany’s Robber Barron Industrialists killed off, the more money they could hide in a Swiss bank. Everyone intellectual knows the Swiss banking system is an extension and has a direct connection to the Freemasonish organization.  Since the American Death trains were such a success at monopolizing the wealth, it only made sense that the Nazi Death Trains of the Jewish Holocaust were a copycat or do over, orchestrated by the same organization, the same people and group. Follow the money, find the guilty party.

The fleeing SS Nazi’s wanted for war crimes at the end of WWII, only had to perform a secret society handshake to escape any prosecution. And, this is the only reason you can explain why so many SS Nazi’s escaped. The three largest thefts of public money occurred during the Great Depression, with the oil rich lands of the Great Plains, WWII from the Jews and the 40 million civilian and military deaths. Last, but not least the 2008 global economic crisis took maybe the largest amount of money out of the public’s pockets. Each time, a smaller population gets richer and a large population becomes poorer. Every time poor people get really poor the American Death trains will again be released.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsThe Indians attacking the two women with hammers or drumsticks can have multiple other meanings. The hammers can also represent the Greek god Hephaestus: The god of forger and fire whose roman equivalent is Vulcan. Hammers were commonly imaged in many WPA paintings and directly refer to the hammers that nailed in the train tracks, when the Robber Barons built the railroad. The hammers drove the population to their death, to their holocaust.  So the hammers are again suggesting that the Indians are referencing the brutal beasts that stopped the trains out west, removed the unwanted passengers, their dignity and killed them like animals like mice.

From Steinbeck title “of Mice to Men” you can learn what happened to the people. If you have ever camped out west you will fully understand the meaning of the “mice” being reference in Steinbeck’s title. Basically the field mice out west carry the bacteria that causes the plague, also referred to as the Black Death.  Yelling “mouse” out in a camp out west will be followed by everyone ruling with sticks, smashing the mouse until it is dead. The small mice are well, more dangerous then the snakes.

American Holocaust ART Secretly Concealed in WPA 1930’s Period PaintingsSteinbeck is a 33 degree Freemason and should be shot for covering up the Holocaust

The Hammers can lastly be attributed to referencing crosses because the religious community did nothing to stop the Holocaust. In fact, they took donations from the Robber Baron gods and built more gothic churches, than ever before in history; at an unprecedented level.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Washington National Cathedral Paid for by American Robber Baron Holocaust Money

The other things to mention about the Indians is, the two standing Indians are both making Freemason pyramid symbol with their arms. Lastly the legs of the two standing Indians are also significant because the Indian facing the viewers is making a pyramid shape with his legs when his reversed testicles and penis is presented as the eye of the Freemason symbol. The naked butted Indian is using his legs, to reference the Freemason drafting compass, the last Freemason symbol. I know that the butt Indian is referencing the Freemason compass because his legs are forming an angle of about 18 degrees. This is the exact degree, which the drafting compass is commonly demonstrated in Freemason symbols. The compass is shown open to 18 degrees because it demonstrates the secret pyramid that can be extracted from Solomon’s third Temple in the Old Testament.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

There are other significant works from Frank A. Mechau and many WPA Painters but the internet is a goobly goo of improperly titled works of small images, attributed to incorrect painters. Basically, I would need books, travel and accesses to be able to properly document the American Holocaust from the art of the Dustbowl period. Since, I am such a fan of Frank A. Mechau, I suppose I can stop with a short biography and hope the funds become available to properly perform the required field work, acquire the rather expensive art collector books, not in the local library and search out west along the train tracks for the bones of well over 7.5 million Americans.

Frank A. Mechau was born in 1904 in WaKeeney, Kansas and raised in Glenwood Springs, Colorado. Frank Mechau worked as a muralist, artist-correspondent, painter and teacher. He lived in New York City and Redstone, Colorado and traveled in Europe between 1929 to 1931. There he was influenced by the Cubist painters and political symbolism they applied to their work. As a young man, in order to earn money to go to school, he was a prize fighting boxer and worked as a cattle driver for the railroad.

Hey, I think I found an Image , “ONE” of the two, or more from the EPA murals but it is so big, you really need to see it in person to find all the details. Just as I guessed, a canoe right in the center, ha ha cowboys sitting and hanging on a fence, lower left corner, he he I think, 10 Indians in the far, lower right painting.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Last night I slept over this info and there seems to be some things that don’t make sense in Frank A. Mechau Bio.  Mostly this part, worked as a cattle driver for the railroad because the Railroads do not have ranches. Than right at the time when the southwestern American barren deserts and highland mountainous regions were turned into killed fields, he suddenly escapes to New York and then, off to Europe; between 1929 to 1931.

What I am thinking is, Frank’s “Dangers of the Mail” paintings are a firsthand account to the killing and raping of American men, women and children during the American Holocaust. He might even have been at an event and realized killing babies and raping woman was not his cup of noble tea. This would explain why he escaped toward New York. Even back then anyone could hide around so many people. But, this was not even good, so off to Europe he fled.

During his time in Europe, he began to draw, and paint. Lots of people that experience a traumatic, psychological event tend to illustrate their feelings in art, as a form of self therapy. Realizing he was a pretty good at painting, he must have came up with the idea of using this skill and wit to attack the organization that mastermind the American Holocaust; the Freemason’s. The “Dangers of the Mail” works is not a death bed confession, but his attempt at killing the real killers.

NOTE; If you live out west and near train tracks, the bones of the Americans should look like rounded discs, due to weathering. The only bones really left are probably the pelvic bone or jawbone, which will now look like a 2 to 3 inch round circle that is flat; like the perfect stone to skip across the water. Bone is lighter then sand, so they stay on the surface. I kept finding these when I was in a geology camp out west. Dummy me, well I thought they were fragments of dinosaur bones but there was just no sign of the bone being petrified or changing of the (organic matter) into a stony concretion, by encrusting or replacing its original substance with calcareous, siliceous or mineral deposits. Yes, bears have large bones but bears need miles of land, territory to survive, so their bones are not very common.

The bones are easy to recognize because bones also have small holes all over for blood vessels, it won’t look like a solid rock close up. Bone will also react to %10 HCL acid. I remember showing one of the round bones to my Geology Professor, the one who ran the field camp and as I recall, his reaction was awkward. He looked away and refused to provide any classification to the bone. It was kind’a like showing him a bogyman.

Lastly, I believe the Americans were beaten at the train tracks, but killed by the elements. Why because in Franks painting the Indians were after the people cloths, they are like striping the white people all naked?  Removing their clothes would mean they would walk away from the tracks and without protection and be taken by the elements. This was a good idea because there would be no pit of remains to be dug up in the future. Following train cars would not see bodies of dead American’s along the tracks. Blowing sand would degrade the bones over time. A desert is hot as hell during the day, but at night it is freezing. If you were naked in a desert, you would have to barrier yourself into the sand, if you wanted any chance of surviving the cold night.

This means that the bones are more like 3 to 12 miles from the train tracks. In a hot desert or cold climate. Because it is possible to get this far from the tracks without water and if your warm clothes and shoes were removed. Also mountain lion scat/shit might have some scientific documentation to the American Holocaust. I remember seeing one WPA painting with two mountain lions on a rock, seems like they are waiting for the next train the unload its unwanted, beaten and raped passengers.

Also be careful, if you do field work out there, the local Freemasons are the Sheriff’s, all state police, Park Rangers, everyone when you get near a hot spot. The hot spots must be along the California border were the trains cross. They know where these events happened and are still keeping an eye out for any investigators, like me or you. Have a cover story like you are looking for meteors and cover tools. Also take a GPS location before you pick anything up. I suggest it is too dangerous to go look for the bones right now.

Once the pieces have all been connected, this kind of starts going through and explains everything.  I have always wondered about the strange relationship between Jewish Israel and the American Christian Freemason Government. What I think is happening is the American government is giving bribes to Israel, with the intention of them keeping their mouths shut about the real motives behind the WWII Jewish Holocaust and they must know about the American Holocaust. They know, I am not that smart and if I could figure it out, a room full of educated Jews could nail this sacrifice down, easy; maybe anyone who stops the flow of money.

The pay offs are large too and Freemasons don’t like to give up money to anyone but themselves. Like when you do your taxes right. Let’s say you owe $2,000, you can actually send Israel the $2000 instead of the American government, just by making a donation to Israel. If everything you own in taxes is just sent as a donation to Israel well then you do not have to pay any American Government taxes. I would bet, almost every Jew would choose to send their tax money to Israel and not the Christian Freemason Government.

It is like the American people have not only been prosecute and some cases murdered, killed outright, but then their kids have to pay the Jews their bribe money each year. Wow, amazing isn’t it all, which is why the Jews can go around like a bully because the big dumb Americans have to do what they say, when they say it. Great fucking world.

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Radio Show Outline American Holocaust

•December 11, 2010 • 4 Comments

Radio Show Outline

Who Am I BIO

I am a geologist with a BS major in geology and minor in Oceanography, 9 graduate credits toward a master’s degree and attended two different six week Field Camps, one for hard rock geology and one camp focusing on Hydrology.

I have briefly worked for the Army Corp of Engineers, several Health departments; many environmental companies with contracts ranging from Exxon Mobil to small family owned dry cleaners.

Also, I am a writer, video maker, song writer and musician, who has written two self published books H2onE2 and H3onE3 and enough short stories and blogs to publish a third book of content. H3onE3 and my short stories “American Holocaust and War People Farming” and all blogs are posted free online to read in the draft form. With the knowledge of the H2onE2 book I also created over 10 different videos, some 2 hours of video content posted on youtube.  I also have about 10 songs posted and about 40 written but not recorded.

The H2onE2 book was designed to prove two things, ONE explain the functions of earth’s rotating cycle of Glacial Growth and a quick retraction, I termed this estimated 110,000 year cycle Glacial Respiration.  The SECOND objective of H2one2 was to connect the 1930’s Dust Bowl to a Global pre glacial growth condition and not poor agricultural methods.

_______________________________________________________________________________________

www.Dustbowlwpaart.wordpress.com for images described in the Radio show

Intro, A Perfect Storm to an American Holocaust, Illustrated in the Revolting WPA Dustbowl Artists

The Dust Bowl, stock market crash and Great Depression resulted in the deaths of an estimated 7.5 million Americans. This number might be twice or even three times higher. The natural and unnatural events had one major result, removing millions of Homesteaders, American Indians and freed slaves off the petroleum rich Great Plains at the beginning of the largest oil boom in US history. Follow the money trail and you will find both the train conductors and the engineers. We will be forced to connect dots, because the history books did not record the events or social turmoil.

The first part of the discussion will cover the history and build a background to the 1930’s American Holocaust event, establish motives and methods used to craft the atrocity. The next part will focus on the evidence to the atrocities, which can only be found in the music, art and the lack of much literature from the era. In fact only one book was authored by a homeless traveler from the time period and that is the Autobiography of Woody Guthrie. We will have to explore this book for censored, underlining hidden themes.

Finally, we will end disclosing President Roosevelt’s attempts at censoring the art community through the government’s WPA art approval program. These artists were actively revolting against the US government. Exploring their art will lead us to the genesis of the Revolting, which can be found in the most important American painting “Dangers of the Mail” series by Frank Mechau. He is the American Da Vinci, who painted a work, which I have termed “Live by the Sword die by the 10 little Injuns”.

I would first like to say, this topic is emotionally, psychologically and physically draining, so if I get all worked up, please don’t be afraid to tell me to slow down.

My research has shown this topic, time period and scale of the Holocaust, is massive. In addition after 80 years the event is still actively being covered up. If researchers ignore this event, it will only happen again in the future.

How did I come to the topic of the 1930’s American Holocaust?

I came to this topic accidently, basically attempting to connect the soil erosion and dust storms, to a pre-glacial condition, I began to search for social conditions, adding multiple layers of knowledge, designed too strengthening and support the scientific proof documented in the H2onE2 book.

I collecting the new research, built a timeline of multiple significant social events and than produced the American Holocaust video, which you, “Deana” found posted on youtube.

Why did the American Holocaust occur, WHAT WAS THE MOTIVE?

The American Holocaust occurred because the wealth elite, Robber Baron Industrialists and Railroad owners of the early 20th century “1900 on” discovered a massive oil reserve under the land owned by the poor Homesteaders, who settled and populated the Central Continent Great Plains from the 17th to the 19th century; from Texas to North Dakota from the Rocky mountains to the Appalachians Mt.

The economic pressures from Wall Street are well documented and outlined in the American holocaust video. On the Great Plains, farmers grew more cotton, wheat, and corn, than the market was willing to consume or export, and prices fell. Commodity traders on Wall Street inundated the US east coast industries and factories, with European goods, until prices on the Great plains hit rock bottom by the early 1930s.

Cotton, a staple crop of the Great Plains, is a good example to follow, Cotton sold for 36 cents per pound in 1919, dropped to 18 cents by 1928, then collapsed to a dismal 6 cents per pound in 1931. Wheat followed the same pattern and even during WWI weat prices fell, even though the demand increased.

The Commodities Exchange Act, of 1936, set forth a regulatory framework to facilitate honest and fair practices for trading agricultural products. This was designed to stop the commodity exchanges manipulation, facilitated by the Robber Barons from the 1920s and 30s who depressed traded commodities as ONE tool to acquire the oil rich lands of the Great Plains from the poor Homesteaders.

***In the 2008 Crash, Wall Street removed the need to control the commodities by just wholesaling the industrial equipment from the planets and shipping it off shore. We not only lost jobs to foreign production, we sold production capabilities and then lost the jobs. So if you don’t think 1929 is not going to re-occur, your way wrong.

Now, getting the Homesteader families to flee was not good enough because the Homesteader families would have a very good chance to legally re-acquire their land following a nationwide tragedy, such as a Dust Bowl. The elite concluded that they needed to murder these families and this is the action that would comprise the motive behind the American Holocaust. Outside of a World War, this event was the largest removal of greater public wealth.

We have to show Premeditation: The act of speculating, arranging, or plotting in advance. To prove the Ruling Elite knew that the environmental forces which caused a “Dust Bowl” could be implemented to remove the Homesteaders?

The elite American’s knew that a Dust Bowl and mini Glacial cooling event was occurring throughout Europe, Russia and Asia. We can refer to the timeline of events showing Global cooling was occurring just not yet in America. SEE INDEX

The elite put their man, Herbert Hoover, a socially elite geologist to head the food relief program of both Europe and Asia. Most importantly Herbert Hoover figured out TWO things on his mission, ONE was the statistical equation needed to feed a large population. Basically, the same equation could be reversed and implemented to starve a large population. The second element Hoover uncovered was what manmade effects could be employed to propagate a Dustbowl disaster in the USA.

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Hoovers History

1914 Herbert Hoover was sent to head the relief effort in Belgium following the German invasion and food shortages.

1917 President Woodrow Wilson appointed Hoover to head of the U.S. Food Administration. When America entered World War I. Hoover alleged “food will win the war”. Hoover developed the first dietary pyramid, reflecting the Freemason symbol and it was called “Hooverizing”.

1919 Following WWI, Hoover headed the American Relief Administration, and organized food shipments for millions starving in Central Europe including Germany.

1921 Hoover brought food relief to twenty million famine-stricken Russians.

These experiences gave Hoover the statistics equations required to either feed or starve an enormous population.

1929 Hoover becomes president and votes every food or economic relief for the American people. He ends his stent as the most hate president in history.

As a geologist he must have also studied the wind erosion factors on the soil, which was perpetuating a Dustbowl throughout Europe and Asia. He determined fire could be used to remove obstructing vegetation and cause a massive Dust Bowl in America.

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Methods of the American Holocaust

1 Trains were stopped in rural areas, hot deserts, cold mountain regions and the hobo’s were removed beaten, purged of food, water, clothes identification and were left to the elements, cold, heat, mountain lions. I found proof to this, maybe even a firsthand account, in the paintings of the “Dangers of the Mail” by Frank Mechau.

2 Prison systems implemented chain gangs to kill off the fleeing population from the dustbowl. It is easy to kill people, without having to kill people. Basically, you work them hard, feed them nothing or food that makes them sick and dehydrated. Any small cold, flue or infection will take care of the dirty work.

3 In Northern regions, the brutal cold would finish off the condemned population by weakening them and making them also susceptible to colds, flues or infection.

4 It is common knowledge that California blocked roads leading into the State and turned back homeless people fleeing the Great Plains Dust Bowl. These fleeing people, which had no place to go or return, attempted to cross into California through the deserts, Sonoran, Mojave, and Death Valley lacking the supplies and died.

5 People will also turn on each other, along the racial divide and kill each other off. Similar to what we see in the prison system, the lower stratified population will racially divide and kill each other of for resources.

The massive re-organization of the KKK from 1920’s to 1925 contests to a pre-organization, premeditation to organize a group, designed to produce social conflict. This is an act of speculating, arranging, or plotting in advance. In 1925 the KKK Marched in Washington D.C. with 200,000 thousand members. KKK membership peaked between 3 and 6 million at 1925. To march in DC means you are part of an entrenched political program. Thee KKK was re-organized at the elite political level, to violently confront the hungry, homeless US citizens fleeing the Dust Bowl lands and serve in the police departments and prison systems. By 1930 the membership dropped to 30,000 members because I believe even the ignorant KKK members, refused to violently confront the starving population, regardless of what their leadership ordered.

The T Party is a good example of history repeating itself and re-organization the “”Invisible Empire”, to confront and repress disadvantaged Americans, during a premeditated economic crisis. The KKK is a religious, nationalist organization controlled by the elite in the freemasons.

Fire Might have been Used to Intensify the Dust Bowl

Wall Street and Main Street not only manipulated the economy and commodities markets, to run Homesteaders off their lands. They sent gangs of organized thugs down to the region to buy land cheap and use force. I believe strongly that these organized criminal gangs intensified the environmental forces that caused the American Dust Bow but solid proof, the smoking gun, the burning ashes have been purged from history. No death bed confessions have been recorded.

Although, suggestions to fire used as a intensifying force are well demonstrated in period art, literature and music. Fire could be used to both burn Homesteaders off their land and destroy the soil’s protective cover making the soil susceptible to wind erosion. Removing vegetation ever increases the wind speed and produce larger dust storms, perpetually following a feedback loop.

Stories of multiple random fires exist in period art and literature. Songs which talk about fires, like the song “Fire on the Mountain”, is a good example of music, hiding the smoking gun. So yes, I believe fires were used to intensify the Dust Bowl.

As a geologist, I believe, if given a 200 man secret army, intent on causing a Dustbowl, during the 1920’s, I could achieve this directive. Basically, I would burn the natural grasses and forests during the dry seasons, when the Santa Ana winds come up into California. This would increase wind speed and push the strong winds East into the Great Plains. I would continue to burn natural vegetation in an eastern direction, guiding the winds through the Great Plains. Here, I would continue to burn any natural obstruction to maintaining the strong wind patterns. This would be kind of like sailing a ship, but instead of directing the sails, you are focusing and funneling and strengthening the wind.

Seeing that fire could be used as a force to un-naturally perpetuate a Dust Bowl, then we can start to explain the unexplainable. Like the massive explosion of jack rabbits, out west, we have images of these events, but no explanation. The problem is rabbits do not travel in herds, because they are not a herd animal. Herds of jack rabbits can only be explained with their natural habitats, the tall grasses being actively destroyed, set ablaze. Since a massive explosion in biology can only be justified by an instantaneous reaction like “fire” and not the slow steady removal by cultivating farmers.

Reports of local news papers captured from the period on microfiche need to be explored for a massive increase in local grassland fires to substantiate this claim. The Greatest book to come out of the Dust Bowl, is Bound for Glory an auto Biography of Woody Guthrie. Fire is the one underlining hidden, repetitive theme that always went unexplained in the book. Woody’s dad, who worked to acquire land during the 1930’s, I believe also started fires, he even suffered from massive burns at one point in the book. Over and over fire caused trouble and in the book and fire consistently went unexplained. For instance, in Woody’s book, he was either sleeping or gone when a fire occurred. Blame for any fire was never articulated in his book.

I believe here Woody Guthrie sent us, future people a coded, a clue that the West was burned down and this was premeditated and designed to intensify the Dust Bowl. There are so many fires described in his book, I would change the title to “Bound for Glory, Chased by Unexplained Fires”. Well over 20 stories of fires and all went, unexplained. It’s the smoking gun, he got through the dumb censors at the publishing company.

Supporting Researcher Boris Borisov

During my research to make the American Holocaust video, I did find the interview with Boris Borisov, a Russian historian who was sick and tired of the American’s lecturing the Russia on the 1932-33 famine in Ukraine.  Basically, no one likes to hear “The pot calling the kettle black”. It would have been nice if the Russian’s tossed the American people a bone, a gift but the truth is this gift was wrapped up in cultural pride, Narcissism, but not separated from truth. To be publically called into question by the American government who is actively hiding a historic of a Holocaust; on a magnitude that might be unimaginable just did not go over well with Russian historians.

Boris Borisov interview with the Russian TV news is shocking and like all my H2onE2 work has been physically purged off Wikipedia and all online encyclopedias. I have physically documented the removal of H2onE2 knowledge from Wikipedia. All removals were done by user members, with Freemason badges or emblem in their bios. I assume the same secret organization has removed Boris Borisov interview off Wikipedia. This is like the game CLUE, if you find Dr. Plum in the library, with the candle stick you discover the guilty party.  The other way to uncover the guilty party, is to actually find the murder removing the candle stick or making the body disappear. As I see it, here we find the murders of the American Holocaust, and these secret fraternal groups continuing to hide the weapon and bodies from the history books. If this was WWII, you could call the Freemason the prison guards.

Also no Educational institutes, economics or sociology professor has produced any report, documentation or thesis on population changes between 1920 to 1940 or critical review of the census. And, the only Great works of Literature that came out of the Dust Bowl are from Steinbeck who is a Freemason actively covering up the bones and skulls. All history books and Encyclopedias fail to mention Hunger marches and Hunger protests during the Great Depression. I am referring to Nebraska’s University Press who published the Encyclopedia of the Great Plains. I own this book but feel the editor David J. Wishart should be prosecuted for hiding war crimes, just like the Nazis following WWII.

Understanding the Evidence to an American Holocaust

Before we talk about evidence, I first want to make a comparison. What if Nazi Germany developed a nuclear weapon and we ended WWII on a Mexican standoff. Hitler dies Germany modernizes, reestablishes connections with the outside world. Then Germany starts building great cars and all kinds of cool Cuckoo Clocks. Who, who would “not” want to reestablish trade with them? Israel is never formed and the German political system moves from Hitler to eventually land on an Angela Merkel prototype Christian democratic Prime Minister.

Would the 7 million Jews really be uncovered, unearthed from the history books, from the mass graves, from the ashes of a Dictator?  “NO” Some knowledge would be passed down from generation to generation, through word of mouth, and through self expression, art and music.

This is the case of the American Holocaust, which can only be extracted from American art, coded in the literature, period songs and the government agencies political reaction to the cultural reflection. This is where we move into the second part of the discussion. The Artist Revolt illustrated in the (WPA) Works Progress Administration art period. The hidden symbolism in the art documents the American Holocaust and we will find the emergence of an American Da Vinci.  His one painting would secretly defined media and artistic expression into and beyond the 20th century. I called this “Live by the Sword die by the 10 little Injuns”.

LITERARY EVIDENCE

Let’s start with Steinbeck, of Mice to Men, I call Men to Mice

If anyone ever camped out west, Steinbeck was big into camping, you will understand why Steinbeck called his book “of Mice to Men”. Out west in Colorado, Arizona, New Mexico, ext. there are two things that are extremely dangerous; life threatening, one is poisonous snakes and the second is field mice.  Wild rodents and the Prairie dogs out west carry the plague bacteria. The mice harbor fleas infected with the plague and can bring the plague directing into an army, hunting or in my case a geology field camp.

Yelling the word “mouse” in a camp out west has a response of many, wild men running around swinging sticks madly, smashing at the small mouse, who is trying to escape with his crumb. The mice are that dangerous and Steinbeck, knew this very well.  When Steinbeck placed the word “mouse” in the title of his book, covering the west, he made an intellectual disclosure of what treatment the men, woman and children received when they fled the Great Plain for California during the Dust Bowl. In the title Steinbeck, also threats the outside intellectual community, in a relatively way, warning us, to stay off this topic or you will become the mouse.

My Social Standing

Personally, I have always existed intellectually on the top of the social spectrum but financially on the bottom. I am a true oddity, I have never been more than 30 days from riding the Holocaust trains myself, if they start up again in this economy. I have lived in a van, harassed by cops. I have been tossed out of every apartment I have ever rented. I know what side of the train tracks I stand on, I know my social standing. And, I know not turn my back on this group and run like a mouse.

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Books listed in the Great Plains Encyclopedia from the University of Nebraska Press edited by David J. Wishart

The book “Bound for Glory” by Woody Guthrie – is not mentioned or included in the list.

The Golden Bowl by Frederick Manfred – about a wandering protagonist Maury Grant – faith based

Sod and Stubble by John Ise’s – Homestead family fights drought, fires dust and economic depression

An Empire of Dust by a wealthy farmer Lawrence Svobida – autobiography

Deserts on the March – by OK University botanist

Prose and Poetry by Kenneth Porter

“The Bones of Plenty” and “Recapturing the Dust “ by Lois Hudson’s

Low Dust Bowl Dairy by Ann Marie Low

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Bound For Glory Book Review

The autobiography of Woody Guthrie “Bound for Glory” is the only book in the first person account of a lower social class, homeless, drifter who experienced the Dust Bowl first hand and survived. All other writers such as Steinbeck did not experience hardship and are members of the upper class society. As for Steinbeck he was a member of the largest most powerful secret society, the Freemasons, which had their hands in causing the Great Depression, the American Holocaust and continue to work to hide the event.

There are many clues in “Bound for Glory” hinting to a possible Holocaust. It should be assumed that when Woody had the book published in 1943 by E.P. Dutton, heavy handed censorship was applied. I will list the clues.

1 The multiple stories of fire, to the point where it is an underlining theme.

2 page 306 the chapter called “House on the Hill”, is fishy. I believe Woody, in the title is assimilating this, house to Robert E. Lee stone mansion at the top of Arlington National Cemetery.

3 Large periods of time are missing in the book. Here, I think Woody is saying I won’t be able to get this information past censors, so I am leaving it out. Future people will have to re-work the timeline.

4 page 293 Woody is given advice from a young black boy he befriended called Wheeler who warns of trouble ahead on the road into Los Angeles California.

“If you stay on until you come to LA, them Big Dicks’ll throw you so far back in Lincoln Heights jail, you will never see daylight again.”

DOES this statement mean a long term prison sentence for being homeless or death, it is unclear?

5 page 285 In a town east of Yuma the Railroad Bulls took the hobos money and told them, this will get you to Yuma. Seems like if the Railroad Bulls knew the next stop might be their last, the homeless people would need no money in heaven or where they were going. This reminds me of the Auschwitz concentration camp prison guards removing valuables, before the Jews were lead into the Gas Chambers.

6 Every Church Woody attempted to get some food from in the book refused him. All farmers who had plenty of food rotting in the fields, posted signs to keep out or they would be shot. So we must be looking at a structured organized event, lead by Wall Street but orchestrated by down town Main Street, designed solely to starve the population.

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How to get a Best Selling Book

Basically, if you want to get an easy Pulitzer Prize-winning novel, National Book Award for nonfiction, New York Times Editors’ Choice, write about the Dust Bowl, the struggles the hard ships but most importantly don’t mention the American Holocaust. If times change, you will risk being called a Nazi sympathizer and you could get strung up if the winds turn. Steinbeck is a go example of a Nazi sympathizer, a holocaust prison guard but there are more. “Worst Hard Times” a book by Author Timothy Egan is another prototype Nazi sympathizer, the difference is Steinbeck is dead and Egan should be tuned up by a piano wire.

Write a book covering the American Holocaust mentioning the missing 7.5 million plus Americans from the census and like the invisible man you will disappear to the literary industry, department of education and entrenched Freemason government.  Since, so few people read, less support independent writers the only way to make a living is to sell out, or code secret message in your paintings. This means evidence can only be extract from the arts and the music.

Death trains don’t stop until they have been publically uncovered in history books, at schools and in museums. If you explore Franklin Delano Roosevelt memorial in Washington DC, note the bronze sculpture which resembles hieroglyphics.  Some unknown hieroglyphics on a monument dealing with the Depression, means those death trains have not stopped running yet.

Musical Evidence

Let’s start with the lower social class Americana music that came out of the Dust Bowl era. Most people can tell a happy song from a sad song. But, most people cannot tell a sad song from a song hiding a massive holocaust as its underlining hidden theme. These are not songs but eulogies to the dead. Woody Guthrie’s “This Train is Bound for Glory” is the best example of a eulogie to the dead.

This train is bound for glory, this train.

This train is bound for glory, this train.

This train is bound for glory,

Don’t carry nothing but the righteous and the holy.

This train is bound for glory, this train.

This train don’t carry no gamblers, this train;

This train don’t carry no gamblers, this train;

This train don’t carry no gamblers,

Liars, thieves, nor big shot ramblers,

This train is bound for glory, this train.

This train don’t carry no liars, this train;

This train don’t carry no liars, this train;

This train don’t carry no liars,

She’s streamlined and a midnight flyer,

This train don’t carry no liars, this train.

This train don’t carry no smokers, this train;

This train don’t carry no smokers, this train

This train don’t carry no smokers,

Two bit liars, small time jokers,

This train don’t carry no smokers, this train.

This train don’t carry no con men, this train;

This train don’t carry no con men, this train;

This train don’t carry no con men,

No wheeler dealers, here and gone men,

This train don’t carry no con men, this train.

This train don’t carry no rustlers, this train;

This train don’t carry no rustlers, this train;

This train don’t carry no rustlers,

Sidestreet walkers, two bit hustlers,

This train is bound for glory, this train.

These lines are not a song at all but, something someone would say at a dead man’s wake or funeral. The importance of this song can be seen by its endless revisions. Lyrics have been modified by Johnny Cash, Indigo Girls, Sublime, and Bob Marley. Although, each revision made the words less like a eulogy to the Holocaust victims in an attempt to remove by the media the true cultural reflection and the Holocaust.

PAINTINGS AND ART OF THE WPA MOVEMENT https://dustbowlwpaart.wordpress.com/

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Lily Furedi: Subway, 1934 was my first recognition that the artists during the WPA movement were actively fighting the government and documented the American Holocaust.

The painting is of the inside of a Subway car.

The abnormality in the painting is a Skull and Bones symbol was painted as the shade, over the light.

The Skull and Bones shade is the only source of visible, which reflects this emanating light throughout the train car.

But it is not light but, darkness and fear. The skull light is also sent down on the working class population, from the gods, the ruling elite railroad men the robber Barons.

You will notice all the characters on the subway car are looking away from this evil light, propagating from the Skull and Bones lamp.

Lily’s Subway might be the second greatest piece of the work from the American Holocaust Artist Revolt.

The painting clearly explains why the government and why the Roosevelt administration attempted to control the art movement by enacting congressional policy and over site agencies like the Works Progress Administration (WPA) to apply censorship.

We need to talk about the Skull and Bones symbol to explain Lily Furedi Subway painting

The Skull and Bone symbol is a common Freemason symbol, with religious origins seen in the cross and P symbol from the early Roman Church. The X was brought into the Greek Fraternity system, as a symbol when the Robber Baron industrialists, began creating and sponsoring college fraternities. The Skull and Bones symbol has three meanings, three different meanings, and these meanings are expressed in the Greek fraternity alphabet applied in their created names.

XXX also called Chi Chi Chi; was the first documented classic Greek University fraternity. One X is intended to reference the church and crucifixion, one for the Red Cross organization or similar charity and one X to represent the train tracks or its crossing, basically the ruling elite Railroad Barons from the period, who started the Greek Fraternity system.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Cathedral of Learning painting shows the three XXX but one X is a common symbol during the artist revolt.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Richard Carnegie, a relative of a railroad baron, Henry Huntington, an iron magnate, Andrew Carnegie and Richard Barton, a relative of Clara Barton founder of the Red Cross created the first college fraternity called XXX or Chi Chi Chi on June 9, 1901. Many university fraternities followed with the sole purpose of creating a de-humanized work force, very similar to how the military boot camp trains its soldiers.

Corporations have the disposition of a Freddy Krueger, or a mass murderer and require a psychologically trained work force willing to kill, rape  or pull off the American Holocaust. An example of the training or boot camp was recently released on youtube, and it involved, just like the military, an exercise and a military marching or cadence song. The words to the Greek Fraternity song were a little different and went like this; “NO means YES, yes means ASS.

Understand the X which represents the Red Cross, has a real intended purpose for the ruling elite. The elite need their de-humanized fraternity work force to volunteer for humanitarian organization like the Red Cross for a real reason. This is because right when the population would be in the greatest need for, food shortages, economic and environmental tragedies, such as a Great Depression or Hurricane Katrina.  Their job is to become obstructive to providing public relief through methods of , poor management, lack of supplies, ordering improper supplies, whatever it takes. To remove the Homesteaders off the Great Plains required failure of the economic leaders, the government, control of the church groups and all humanitarian serves organizations like the Red Cross.

Explaining the WPA program

From 1933 to 1934 the Public Works Art Project agency was organized to censor or approve art and make sure no Holocaust themes or symbols appeared on public buildings.

In 1934 the Wall Street Robber Bankers, entrenched in the Treasury Department took over the censorship program. Having the department of Treasury approving art is bizarre and comparable to the post office printing its own money.  Either the government employees were fighting back, within the government or they were just incompetent.

In August 1935 the Federal Art Project (FAP) was finally created with a well trained staff, most likely all Freemasons. This was the final Works Progress Administration (WPA) designed to censor the revolting artists. The WPA managed and approved art for 5,000 artists who produced some 225,000 pieces of works. By, 1935 the government had full control over the art community and understood the coding in the paintings, American Holocaust art became less apparent and more difficult to extract.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Proof to a universal artist revolt can be found in examining images of trains during the WPA art movement. The one commonality in all the train images, is nearly all train were painted to turning right. Here the artist is telling future people, that’s us, to this point, the date on the painting, the American Death Trains continue “right” on rolling out west.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

The greatest American Holocaust revolt painter is, by far the Great Frank Mechau who produced the controversial “Dangers of the Mail” series installed in the 1930s at the U.S. Postal Service headquarters in DC, now the EPA headquarters.  The artist community universally went after the postal service because on each train at the time period there was an armed postal car, with multiple armed federal postal police, who failed to protect the public from the American Death Trains.

Frank Mechau’s “Dangers of the Mail” paintings are the greatest collection of American art but it includes several murals, possible drawn in several different locations. There are paintings in the series on multiple floors of the old post office building.  The greatest piece in the “Dangers of the Mail” series is called the “Buttocks Indians painting”, but I have no idea where it was painted or is currently housed. I am not even sure if it is included in the large murals at the EPA building.

You might think I am a bad researcher but the art involved in documenting the American Holocaust has been has been, stolen, removed or destroyed by the top upper class, the 1% of society, Doctors, Lawyers, Judges, bureaucrats, Freemasons, Greek Fraternity members, ext. the bones of the WPA art movement have been intentionally scattered about to hide the mass grave.

The “Dangers of the Mail,” series by Frank A. Mechau, has been controversial from the start because it displays nude women being killed and raped by Indians. Although, I can safely say the Indians in the paintings were not intended by Mechau to be Indians at all. In fact, all the Indians in the “Dangers of the Mail,” series of works represent the embodiment of the brutal men who executed the American Holocaust in the 1930′s, the Freemasons.

The “Dangers of the Mail,” paintings attracted the attention of former EPA administrator Carol Browner, who served during the Clinton administration. In 2000, she ordered the murals to be covered, saying they were offensive to American Indians and women. But, the covering was removed at the start of the Bush administration and some of the murals were sent out for restoration by the GSA. The Bush officials later placed an American Indian tribute display in front of the two large murals, hiding them.

Before I personally describe the details in the Buttock’s painting let’s for fun, build a little drama by having a society insider describe the work first and foremost. I found a description of the work done by Dr. Karal Ann Marling who received her doctorate from Bryn Mawr woman college in Art History and American History and is a member of the Minnesota Historical Society. Being an expert and having a PhD, we will have to let the little lady go first, this is her description of the painting:

“Indians taking special delight in scalping two naked women crawling on their hands and knees across the foreground of the scene…while a third woman, also nude, was being strangled with exquisite deliberation by no fewer than two savages.”

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

Unless I have not been able to find a complete digital image of the “Buttocks Indian” painting Dr Karal Marling could not even properly count how many Indians are in the painting, and she has a Phd. Well, there are three Indians and two women.

Frank A. Mechau in the “Dangers of the Mail,” series showed how stupid the government controllers really are and why the WPA central censorship program was implemented. The Paintings actually illustrate the “10 Little Injuns”, song written by Septimus Winner in 1868, with the sole intention of destroying all Freemason secret societies and University fraternities, the strong arm of the American Holocaust.

Later, the song was simplified into the “Ten Little Indians” children’s rhyme but the original song and its importance to the American Holocaust art movement has roots in many following songs. Freddy Krueger’s song is maybe the most disturbing example. Here are the lines to Freddy Krueger’s song:

1, 2, Freddy’s Coming for You!

3, 4, Better Lock Your Door!

5, 6, Grab Your Crucifix!

7,8, Better Stay Up Late!

Nine, Ten, Never, Sleep Again!

The counting and importance to ending at the counting at the number ten, is the marker that undoubtedly makes the Krueger song a modification of Winner’s “10 Little Injuns” song. Most importantly the Krueger song is pointing to murder, a massacre, a massive holocaust. Frank A. Mechau “Dangers of the Mail” paintings are the original influence to Freddy Krueger’s.

You can commonly find a picture of Freddy Krueger making a V symbol or upside down pyramid with his figures across his chin, a picture is included in my blog, we will also find this symbol in the “Buttocks Indian” painting.

Here are the lines of the original “10 Little Injuns” song:

Ten little Injuns standin’ in a line, One toddled home and then there were nine;

Nine little Injuns swingin’ on a gate, One tumbled off and then there were eight.

One little, two little, three little, four little, five little Injun boys,

Six little, seven little, eight little, nine little, ten little Injun boys.

Eight little Injuns gayest under heav’n. One went to sleep and then there were seven;

Seven little Injuns cuttin’ up their tricks, One broke his neck and then there were six.

Six little Injuns all alive, One kicked the bucket and then there were five;

Five little Injuns on a cellar door, One tumbled in and then there were four.

Four little Injuns up on a spree, One got fuddled and then there were three;

Three little Injuns out on a canoe, One tumbled overboard and then there were two.

Two little Injuns foolin’ with a gun, One shot t’other and then there was one;

One little Injun livin’ all alone, He got married and then there were none.

If  Frank A. Mechau paintings the “Dangers of the Mail,” series was designed to assimilate the theme of the  “10 Little Injuns” song as a coded key, than in the line “One got fuddled and then there were three” becomes the most significantly important line. In order to determine what the line means, we need to get a definition to the word Fuddle.

fud·dle  means:

1. To put into a state of confusion; befuddle. A state of confusion or intoxication.

2. To make drunk; intoxicate.

3. To drink; tipple.

I believe Frank A. Mechau in the “Dangers of the Mail,” series is telling future people to look at the painting with three Indians and this is the “Buttock” Indian painting in the series. Why, because 3 Indians are expressed in the line and word fuddle means triple shot referring again to the number 3.  So, Frank is saying the “3 and triple” points to the “33” degrees of Freemasonry. The 33 degrees is the highest level of the elite secret organization that both Roosevelt and I believe Hoover were ranked in this faction. You would be a rich man if you could place bets that every president, from Washington to Obama was a 33 degree Freemason.

It is estimated that 70% of local police are Freemasons and the number goes way up to 90% within the rank and file of the state police. This group will protect its brotherhood and interests with their lives, at the cost of yours. They are  not just entrenched on the law side but have controlling influence over most large street gangs, drug cartels, and definitely all hate groups like the KKK or Neo-Nazi national organizations aka the T-party.

One of the large murals at the EPA building has has a picture of cowboys jumping off a fence representing “Nine little Injuns swingin’ on a gate”? The center of this painting demonstrates a canoe from the line “Three little Injuns out on a canoe”, In the “Dangers of the Mail,” 10 Indians are show dancing in the circle. The other mural I have not been able to find.

Regardless, the works at the EPA building are intended to direct an investigator “that would be me, you or us” to the painting that has three Indians, the “Buttock’s” painting. Here we can pass go, still not collect 200 dollars, role the magic dice and move our Monopoly game piece, the boot, to land on “Buttock’s” painting; the one with three little Indians. You can locate the “Buttock’s” painting online but I am not sure the digital image captured the entire work, there might be missing items.

The “Buttock Indian” painting consists of three Indians with raised hammers and a beatify white woman reaching her hand into the center of the work in an attempt to shield a man or woman who has fallen and is being actively beaten like a DRUM with hammers. It appears that the fallen individual was painted to look as both a man laying on his back and, or a female lying on her stomach. This is because the man’s chest looks too rather like a female’s, typical heart shaped bottom. Now, it is rather simple to connect each buttocks of this fallen female to be referencing a DRUM.  So far, we have uncovered in the painting two Indians that are represented as two drummers.  If we uncovered two drummers beating two drums, we need only to find the quintessential flute player or fifer.

The fifer will determine that the Great late Frank A. Mechau just turned the iconic Old Fife and Drum Corps of the US army, from the Spirit of America image into the demons, the beasts that produced a Holocaust to the American people during the Dustbowl.

American Holocaust ART Secretly Concealed in WPA 1930’s Period Paintings

At this point I would like to take a moment and say, “Frank is the Greatest American artist ever”, and he managed to trick the largest, apparently most stupid secret organization who controls every aspect of society, with a child’s rhyme; “way to go”. In fact, I feel honored to describe the rest of the symbology.

The full image of the Old Fife and Drum Corps of the US army, actually has an injurged person struggling to reach their arm into the image.

The important third Indian, the one playing the flute is hiding behind the naked butted Indian. Finally illuminating, the complete Old Fife and Drum Corps of the US army into Frank’s painting. Well, how do I know for sure that this flute player Indian is not representing an American Indian flute player? There are two reasons first off, Indian’s don’t play sideways flutes or fifes. Sideways flutes are an instrument of modernization and only used by advancing cultures, such as the Europeans, and Chinese, during this period. Indian flutes are a modification of a smoking or peace pipe and tradition would not produce a modification in a simple, nomadic culture absent of things like, well the wheel.

Secondly, the Indian playing the flute is making an upside down pyramid or V with his left hand’s, pinky and ring finger. Optically Frank A. Mechau placed the Indian’s left eye in the center of this created V. The pyramid and eye that the Indian is making, obviously references the Freemason Pyramid and Eye symbol. This concludes that these three Indians are not Indians at all, but Freemasons dressed as Indians. The artist Frank Mechau’s is telling us, future man/woman, to get these nasty demons.

The two Indians standing and drumming the nude female are together reflecting the brotherhood commonly associated with Freemason membership. When the third Indian, the flute player, the one behind the buttock’s Indian is suggesting an act of falatio. Frank A. Mechau is saying here that the act of homosexual falatio binds the group into this brotherhood and is clearly a Freemason ritual of initiation.

Freemasons homosexual falatio, as an initiation ritual, binds the brotherhood and de-masticates their foot soldiers, creating a stronger bond and unwillingness to leave the tribe or military unit. Most of the ancient Greek armies encouraged a homosexual bond in the fighting unit, because these two bonded soldiers will fight to the death for their partner or lover, it is like a secret bond. The Freemasons adopted this practice along with Greek fraternities, to bind and strengthen their group. This is possibly a Christian religious ritual that the priests would perform prior to entering their brotherhood and the Crusaders practiced from the 12 century on.

The Freemason’s are basically an occupying military force, that hires its self out to the ruling elite, as a strong arm to control, robe and kill the population. The more Jews, Germany’s Robber Barron Industrialists killed off, the more money they could hide in a Swiss bank. Everyone intellectual knows the Swiss banking system is an extension and has a direct connection to the Freemason organization.  Since the American Death trains were such a success at monopolizing public the wealth, it only made sense that the Nazi Death Trains of the Jewish Holocaust were a copycat or do over, orchestrated by the same organization, the same people and group. Follow the money, find the guilty party.

Frank A. Mechau, biography is interesting and requires much more research because I believe the paintings are a firsthand account of what he witnessed. Why because he was employed by the Rail Road company in 1929 as a cattle driver when the trains began to functions as Death Trains. Realizing he wanted no part of this, this country boy fled to New York City and then to Europe between 1929 to 1931. There he was influenced by the Cubist painters and political symbolism they applied to their work.

During his time in Europe, he began to draw, and paint. Lots of people that experience a traumatic, psychological event tend to illustrate their feelings in art, as a form of self therapy. Realizing he was a pretty good painter, he must have came up with the idea of using this skill and wit to attack the organization that mastermind the American Holocaust; the Freemason’s. The “Dangers of the Mail” works is not a death bed confession, but his attempt at killing the killers.

NOTE; If you live out west and near train tracks, the bones of the Americans should look like rounded discs, due to weathering. The only bones really left are probably the pelvic bone or jawbone, which will now look like a 2 to 3 inch round circle that is flat; like the perfect stone to skip across the water. Bone is lighter then sand, so they stay on the surface. I kept finding these when I was in a geology camp out west. Dummy me, well I thought they were fragments of dinosaur bones but there was just no sign of the bone being petrified or changing of the (organic matter) into a stony concretion, by encrusting or replacing its original substance with calcareous, siliceous or mineral deposits.

I remember showing one of the round bones to my Geology Professor, the one who ran the field camp and as I recall, his reaction was awkward. He looked away and refused to provide any classification to the bone. It was kind’a like showing him a bogyman.

Lastly, I believe the Americans were beaten at the train tracks, but killed by the elements. Why because in Franks painting the Indians were after the people cloths, they are like striping the white people all naked?  Removing their clothes would mean they would walk away from the tracks and without protection and be taken by the elements. This was a good idea because there would be no pit of remains to be dug up in the future. Also the following train cars would not see bodies of dead American’s along the tracks. Blowing sand would degrade the bones over time.

A desert is hot as hell during the day, but at night it is freezing. If you were naked in a desert, you would have to barrier yourself into the sand, if you wanted any chance of surviving the cold night. In the book “Bound for Glory” page 310 Woody actually buries himself to survive a night in the high deserts of Tracy California.

In a few paintings of WPA art desert cactus are worked into the shape of human bent legs and arms buried in the sand.

I remember seeing one WPA painting with two mountain lions on a rock, seems like they are waiting for the next train the unload its unwanted, beaten and raped passengers.

Also be careful, if you do field work out there, the local Freemasons are the Sheriff’s, all state police, Park Rangers, everyone when you get near a hot spot. The hot spots must be along the California border were the trains cross. They know where these events happened and are still keeping an eye out for any investigators, like me or you.

INDEX below

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Time line of known Hunger Marches, although most media often did not report on hunger marches and if any articles were published they were often called Communist rallies or racial protests.

http://www.progressivehistorians.com http://www.progressivehistorians.com/2008/02/hunger-on-march.html http://thebonusarmy.com/home.html

January 3, 1931, in England, Arkansas. H. C. Coney, a tenant farmer from Lonoke County, organized 50 to 500 farmers, some armed, to force the Red Cross to provide food relief.

February 1931 food riots, In Minneapolis, several hundred men and women smashed the windows of a grocery market.

April 1, 1931, when a large group of unemployed forced their way into the Maryland state legislature to demand relief. 3,000 protesters turned out in Columbus, Ohio.

May 1931, 15,000 unemployed marched on Lansing, Michigan

1931 December 7 Herbert Benjamin National Hunger March, December 7, 1931″, which was the day that Congress would open for a new session. There were ten marchers to a truck as well as a smaller car that would run ahead looking for hostile crowds and/or police. While the media and local governments were extremely hostile to the marchers (Mayor Mackey of Philadelphia advised them to “pass by” his city. Hartford closed its streets to them), the public often turned out in large numbers to cheer them on and protect them from the local police. Chief Moran declared the march was really a Communist demonstration.

1931 Food riots broke out in San Francisco, Oklahoma City, St. Paul, Van Dyke, and many other cities. But I dare you to find any mention of them in the New York Times. Meanwhile, millions of pounds of perfectly good food was being left to rot in the fields because there was no market for it. the hungry couldn’t afford to pay for the food. As the Depression deepened and starvation spread across the country, the media reported it less and less. Thousands of unemployed workers looted food stores (afraid of their contagious effect, the press usually did not report food riots); indeed, Irving Bernstein reports, “By 1932 organized looting of food stores was a nationwide phenomenon.”

1932 – song that was sang by children at the gates of the White House, Thanksgiving Day, 1932, shortly before they were arrested

Empty is the cupboard,

no pillow for the head,

we are the hunger children

who cry for milk and bread.

We are the hunger children

who cry for milk and bread.

We are the worker’s children

who must, who must be fed.

1932 some 100,000 World War I veterans marched on Washington and were roughly removed.

December 4, 1932, the unarmed, weary, and undernourished marchers were met at the outskirts of Washington by 1,200 policemen armed with sawed-off shotguns and submachine guns. For three days the marchers were held in custody on a street on the outskirts of town with no water, no cots or beds, and no toilet.

January 6, 1932 Father James R. Cox known as the Mayor of Hoovervile from Pittsburgh marched on Washington. The Hunger March was dubbed “Cox’s Army”, it started on January 6, 1932 at 12,000 in size, but grew to 25,000 by the time it reached Washington.

March 7, 1932, about 4,000 unemployed factory workers marched on the Ford Motor Company in Detroit. They marched from Detroit to the River Rouge plant. Their signs read, “We Want Bread Not Crumbs,” “Tax the Rich, Feed the Poor,” “Free the Scottsboro Boys,” and “Stop Jim Crow.” At the Dearborn line, the crowd was told to disperse. None of the marchers was armed, but teargas and fire hoses were used on the crowd. Finally, the order to shoot was given – scores were wounded. Killed outright were Joe York, Joe DeBlasio, Coleman Leny, and Joe Bussell. Police blamed communists for the violence and sought to arrest Communist leader William Z. Foster, as well as starting a crackdown on leftist organizations. Unemployed Council decided to hold a public funeral, and between 30,000 and 70,000 people turned out for what was later called the Ford Hunger March

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Time Line of Social Conditions Proving Earth was moving into a Global Cooling Event

1789 the French Revolution arose over bread prices, for grain crops had reached record levels driving a hungry mob to attack the gates of Paris.

1812 the cold climate stopped Napoleon Bonaparte from liberating Russia’s lowest social class called the serfs, considered an enslaved population.

1812 American British War

1816, was the Year “Without a Summer” following the April 5, 1815 volcanic eruptions of Mount Tambora

1840 European Potato Famine caused by potato blight in Northern Europe, is a sign of large scale climate change. Agricultural lands are the most fragile ecosystems because they only have the one plant type.

April 18, 1865, the Civil War ended

1898 April-July The Spanish-American War

In 1914 Hoover was placed in charge of food relief effort in Belgium following the German invasion.

1917 communist revolution in Russia caused by a sudden decrease in agricultural productivity of the Grain Belts. This explains why there is a farm tool, a sickle on the Communist flag, these revolting people were starving.

America entered World War I in 1917.

1918 flu pandemic (commonly referred to as the Spanish flu) killed anywhere from 20 to 100 million people worldwide

1918 World War One ended

1920s and 1930s China’s Communist revolution led by Mao Zedong, was also caused by the same effects of a cooling climate, some 40 million Chinese died of starvation during this time period.

1920s,  Wall Street began to depress the price of what the Great Plain farmers produced, the farm commodities (cotton, wheat and corn) by intentionally importing European goods. Only in 1936 did Congress passed the Commodities Exchange Act to stop the manipulation of the stock market.

1921 Hoover brought food relief to twenty million famine-stricken Bolsheviks in Russia.

1925 KKK Marched in Washington D.C., 200,000 thousand members strong. Between 1920–1925 membership peaked between 3 and 6 million. By 1930 the movement dropped to 30,000 members and faded away.

In 1929 Hoover was elected to Presidency of the United States

1929 the stock market crashed

1933 to 1945, Hitler held Chancellorship of Germany

1939 Germany invaded Poland

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High points of Boris Borisov interview with RT Russian Television, which by the way also runs a great business news show Tue. and Thur. called the Keiser Report.

Boris claims the statistics of the U.S. government from 1932-33 were falsified?

–  Using an age pyramid and distribute the people according to their dates of birth, it becomes apparent that 5.5 million children and two million grown-ups are missing, these are the 7.5 million holocaust victims. Note: this is using the Government publish statistics, which should not be trusted in the first place.

– “let me quote this: male mortality rate in Russia: 810,000 in 1984; 1,226,000 in 1994 – whereas the population is the same. In other words, as compared with 1984, the year 1996 had an additional number of 416,000 dead males. You have to add females and children to that figure.

Some say it is horrible, others say it’s normal as the country is developing. So there are different takes about there being half a million dead. Nobody tears his or her hair out to discuss this.”

Likewise, there were opposing viewpoints in the USA. Some said it was horrible – “We had one millions Rusian people deprived of their land!” – those who read Steinbeck well knew the situation from his documentary-authentic novels depicting starving children. The Americans would say, “No, it’s all right. We’re fighting depression and all is as scheduled.”

RT -Russian Television interviewer: Imagine the so-called “hunger marches” in the times of President Hoover Did you actually find any survivors still alive to tell the story and confirm the fact of ‘American Holodomor’?

Boris.: Let me draw your attention to the fact that it was not me who called those marches “hunger marches”. They were called so by the participants. When someone goes marching in protest against war, they protest against war because people get killed there. When someone protests against hunger, it means they protest against dying of starvation, and the people are ready for social unrest. You may know that not only the police but also regular military troops were used to disperse those marches.

RT -Russian Television interviewer: Such outstanding historical moments are usually reflected in literature, films, and, of course, journalist reports and research articles. The American depression is definitely one of those remarkable periods. Is there any proof of your theory in an article of a newspaper of that time?

Of course, journalists may be interested in a fact about a tractor that pulled down a farm. There are many facts of this kind – Steinbeck eloquently tells a lot about such things. But as to what happened to that farm later, the fact being that ten people left but only eight came back, is seldom told – both then and now. It’s not something of big interest to journalists.

You must bear in mind that those who died are in the lowest stratum of the American society – either had been poor, or became poor and failed to get out of this level. Try to find research details about the death rate among homeless people in Russia now – you will encounter big difficulties. You will hardly find anything in newspapers, despite the fact that mortality among the homeless is there. And it’s about citizens of Russia and most likely the number of those dying is big. Perhaps the factor that not all of them volunteered to become homeless is the answer.

RT -Russian Television interviewer: In your article, you write about the agrarian business lobby you claim is guilty of destroying the state food resources. Can you please tell more about it and maybe compare it to any instance of more recent economic wars or lobbies, maybe?

Boris – The modern example is obvious –producing fuel from food is something to enrich someone, whereas impoverishing dozens of millions of others. The process is already there and the current increase of food prices is already causing political unrest and more deaths. Unless stopped, by the end of the 21st century, the program of obtaining fuel from food will be studied in history books on pages next to Hitler and concentration camps. The scale of the consequences would be comparable, in terms of the number of victims.

This is what concerns the current economic situation.

RT -Russian Television interviewer:  We had these discussions in the time of chaos and depression in the world’s financial markets. Hundreds of people are losing their jobs, credits are not paid back, the mortgage crisis is on. As an economist, do you see this as the beginning of a new great depression and, actually, a new Holodomor?

Boris – Comparing the current crisis with the Great Depression has become commonplace in economic discussions. The modern crisis radically differs from the one in the early 20th century. Whereas that crisis was of an industrial society, this one is of a post-industrial society and more of a economy of services.

What have we got as a result? In an industrial economy, an enterprise has some safety factor – some reserves, long-term contracts, some property they can sell or mortgage at the end of the day. There is no such safety margin in the services economy seen in the United States. As soon as the money source stops, the services industry rumbles like a house of cards.

So, things may be developing now much faster than in the pre-WWII times. This is what we can see happening now during a very short period of time, much shorter than in the time of the Great Depression, major financial institutions collapsed, which set the alarm bells ringing,

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EXTRA STUFF TO TALK ABOUT

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Why the American Holocaust Video Was Made

My ‘America Holocaust” video was created for an Earth Day event in the virtual world of Second Life, where an alliance of Amnesty International E, Four Bridges, Imagine Network combined with my site, the H2onE2 bookstore organized a virtual Earth Day festival in 2009.

I was included in the event because I agreed to do cover the science of Glacial Respiration. During the next 4 weeks I was kicked out of the event and off the schedule several times, even being banned and unbanned from the virtual land that the event was to be held on. Each time a nice lady from Amnesty International E managed to get me back in and on the schedule.

In the end, I tricked everyone and instead of doing a boring event on earth science, I showed the “American Holocaust” video which I had secretly been creating the entire time. From there on out, I was not permitted to be involved in any alliance of events and have left Second Life for good. Although, a nice lady still has a store for me, at a place called “the artist village” where some of my material still exists in the Matrix.

Most sites remove my knowledge and I have been actively losing an intellectual war with most websites and forums. H2onE2 accounts have been deleted from Myspace to Alex Jones controlled forums. Youtube and Google have been my only hold outs, Bing and Yahoo controlled search engines clear all my Search engine optimization (SEO) monthly.

The American Holocaust video was posted, along with the video text in 2009, I checked the google hits under the keywords for “American Holocaust”, there were 20,000 at the time. After one and half years there are now 1,7 million hits for “American Holocaust” as a keyword search and there is only one way to explain this sudden rise.  It is obvious that well organized and funded groups are posting videos and blog not referencing the 1930’s American Holocaust, the American Death trains, the Dust Bowl and loading their unrelated material with the “American Holocaust: as a key google search word. I can’t win the war on my own.

Wikileaks Leaks effects

The USA military, at the controlling level, knowing very well their historical involvement in the American Holocaust, is providing 1,000’s of semi-secret files, to most likely a fellow freemason, Julian Assange to start the wikileaks website. The media working in conjunction with the propaganda wing of the Military Industrial complex drives up the wikileaks website to generate blogs posted with key words “American Holocaust”.

Plus well funded fake anti conspiracy sites like Alex Jones’s prison planet, Above Top Secret forum and the long list of sites, which have all deleted the H2onE2 American Holocaust video, also post SEO, search key words and titles with the intention of hide help hide the real American Holocaust from spilling out for public interpretation. Only on Youtube and Google does any informant pertaining to the 1930’s Dust Bowl register on the first 10 pages of any internet search.  You won’t find the H2onE2 American Holocaust video or blog posts through Bing or Yahoo.

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About the H2onE2 book and how does it Apply to the Dust Bowl

Basically two catastrophic environmental events make up the Glacial Respiration cycle. Global summer starts with a great flood, when a massive quantity of suspended ice falls out of the atmosphere causing a global flooding event. Stories like, the Ancient Greek Atlantis and religious stories like the Jewish story of Noah, Persian Gilgamesh, Sumerian tale of Ziusudra” and even Exodus all are evidence to the flood in a cultural reflection and proof to Glacial Respiration.

The second catastrophic environmental event in the Glacial Respiration cycle, is when earth again cools to grow glaciers, these environmental changes, I connect to what was seen in the 1930’s Dust Bowl. The Dust Bowl was a global cooling event. These conditions were experienced globally, not just in the USA, so it cannot be explained rationally through selective bad agricultural techniques or practices.

A Dust bowl and drought was first evident in Europe, Russia and Asia. Some forty million Chinese died of starving from 1920’s to 1930.  From 1916 to 1933 Russia had major agricultural issues. The rise of Communism in Russia and Asia occurred because of the starving populations.

http://en.wikipedia.org/wiki/List_of_famines this information is very political and not correct. America is not even listed.

I submitted the Glacial Respiration material to the NSF “National Science Foundation” two years in a row for their Graduate Research Grant program and was declined both times. The Geology Professor, which also functioned as my consular refused to write a letter of recommendation to the NSF for the Grant and wrote a response stating; “I was a lose canon, not find tuned, filtered or focused. This letter I hang on my wall, covering up most of my certificate of my BS degree. I also found no school or professor willing to permit me to work on Glacial Respiration as a master’s thesis. I found the education system locked up solid as an oil drum. One professor did e-mail me back, from Yale and stated; “send it to someone who cares”. No one did. Me and the department of education parted ways, seeing that they are not an organization to move knowledge forward but restrict and control education and research. I begin writing the H2onE2 book on my own, intending to self publish.